Most agents, if you know them well enough (or get them drunk) can tell you about the "book that got away": the manuscript in their to-read pile they didn't read before another agent snapped it up, the project they passed on that was sold by a colleague for big bucks, the super-duper mega-bestseller they thought sounded like a retrend of everything they'd ever read before with nothing original about it. And then, in a different category of books that got away, there's the one they maybe sold or worked on in a previous incarnation -- as an editor, perhaps, before they hung out their own shingle, or the Times bestseller whose royalties are all going straight to their former agency after they set out on their own.
Trenton Lee Stewart
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